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Thus, although Pound indeed distrusted the masses, "foreigners," and so forth, The Cantos themselves (with their references to Confucius, the agrarian populism of Jeffersonian and Jacksonian Democracy, and even the "enlightened despotism" of Leopold II) reflect the underlying conservative sentiment behind his more well-known social and economic views (including his antisemitism.) The Cantos are not complex, they are complicated; they are not arrayed by logic or driven by pursuing emotion, they are connected because they follow one another, are set side by side, and because an anecdote, an allusion or a sentence begun in one Canto may be continued in another and may never be completed at all; and as for a theme to be realized, they seem to have only, like Mauberley, the general sense of continuity — not unity — which may arise in the mind when read seriatim.